What Makes My Work Unique?

I spent a decade in Berlin, touring as an electronic music artist, organising events, and curating my label. These roles honed my sense of rhythm, ambience, and the powerful role sound plays in setting atmosphere and emotion.

After earning a Master’s degree in Sound Studies and Sonic Arts at the University of the Arts in Berlin, where I completed a 6-channel sound installation, I transitioned into game audio. My experience with large-scale projects and technical sound design gave me a strong foundation for creating immersive soundscapes that elevate interactive and narrative-driven experiences.

Game Audio

I work fluently across FMOD, Unity and Unreal. Creating and implementing adaptive audio systems, dynamic SFX, and have a strong understanding of spatialisation, and interactive mix design. I love gathering my own sounds whether it be from the field or in my home studio which I then manipulate as needed to suit each project. My music compositions subtly guide the listener through the story. This is demonstrated across my work with interactive sound installations and in immersive game projects I’ve worked on such as The Guardian of Nature, Finding Hannah and The Darkest Files.